Laëtitia Badaut Haussmann

  • Cosmétiques Blanches

    Cosmétiques Blanches, 2025

    Collage on paper, magazine pages, synthetic fabric, aluminium, screws

    29,8 x 49,8 cm

    Enquire about this work

    Cosmétiques Blanches

    Your details go to Galerie Allen only so they can reply to you. Privacy

  • Gaslight

    Gaslight, 2025

    Metal, epoxy paint, chain, large Bic lighters, cable ties

    131,5 x 16 cm diameter

    Enquire about this work

    Gaslight

    Your details go to Galerie Allen only so they can reply to you. Privacy

  • Stage Circle Marble

    Stage Circle Marble, 2020

    Wood, paint, metal, carpet

    Sculpture: 50 x 136 x 80 cm, carpet: variable dimensions

    Enquire about this work

    Stage Circle Marble

    Your details go to Galerie Allen only so they can reply to you. Privacy

  • Maquette (Safe)

    Maquette (Safe), 2020

    Polystyrene, tadelakt, aluminium, stainless steel

    80 x 80 x 40 cm

    Enquire about this work

    Maquette (Safe)

    Your details go to Galerie Allen only so they can reply to you. Privacy

  • Scenius II S n°2 (Blanc Papyrus)

    Scenius II S n°2 (Blanc Papyrus), 2018

    Metal, glass, pmma, led, paint

    60 x 45 x 5 cm

    Enquire about this work

    Scenius II S n°2 (Blanc Papyrus)

    Your details go to Galerie Allen only so they can reply to you. Privacy

Biography

Laëtitia Badaut Haussmann (b. 1980) is based in Paris. Her artistic practice is based on the development of a project-based method. Her research is part of an intersectional feminist approach that crosses psychology and constructed environments, focusing on forms of emancipation and empowerment as much as on structures of conditioning and alienation. She uses sculpture, installation, video, sound, and text, often viewing the exhibition space itself as her primary medium.